Artist, organisations, narratives,
themes and vibes, stories, drawings,
a core thread, a spine, books,
SCRSS, Soviet archives, Ukrainian
archives, Holodomor, audio visual
contents, organisations speaking to
each other, audio-visual materials,
ideas, dialogues, meeting points and
emotional charged materials,
my stories, gaps in archives,
Ukraine and Russia, exhibitions on
tour.
22nd of September
Concurrent users, 15 sections, CMS,
costs and fundings, print of demand,
colours, columns, 25,000, 3,000 word
sections, long form contents and
reading online, fonts, type styles,
teaching online.
Hito Steyerl, wipes, Bakhtin, Simon on
Twitter, iphones, impact and H-index
Cubic journal submissions, images,
Beethoven, Structural diagrams, time,
repeating forms, mushrooms, baking bread,
external exam, examiners, exhibitions,
HOME, Castlefield and Holden Gallery
applications, multimedia submissions,
cosmo eggs, street and stop, translations,
Bollas, video recordings, bindings,
original forms, visual editions, film
production, 3 films, time for bindings
and printings, writing, hypotheses,
evidences, MBC film and voice over,
production kits and production packs,
what next, David Hunter, final
submissions, diesgns, chapters, interludes,
appendices, submission dates, Twitter,
visual comparisons and analysis, print on
demand, fading, levels, external
examiners, routes through my work,
layers, backgrounds, foregrounds, fore-
fronts of my projects, visual archives,
MOMA archives, cataloguing ephemera,
olympics set ups and build of projects,
Tolstoy wipes, star shot, Ladies 100 metres,
Diamond league and London 2012 proposals,
production kits, Leninopad, and Leningrad
postcards, visual styles, exhibition
outcomes, hypotheses, drawing as memory, archives.
I took this photo on my first first
visit to Ukraine, in Odessa in 2005.
Interestingly, dated January
2007 on the back of my photograph.
This statue was built in 1975.
I have been exploring
papers in the Henry Moore
library, relation to Rodin.
A copy of Rilke’s Rodin
Books are in the library, and
I have also come across a
brilliant transcript of a talk,
by Charles Hewlings, and a
mysterious collection of
drawings and notes by A/V and
sculptor David Dye
